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Sport or Art? A discussion hosted by Jordynne Grace

Jordynne Grace set a wonderful contextual argument last night on Twitter and as I am up at 6am on a Sunday to 
edit the podcast, let’s have a longer crack. Jordynne’s premise and indeed question was “Should wrestling be 
considered sport or art?”, while there are obvious cases for both. I personally think that comes down to the 
context in which everything is placed and the expectation that is therefore set for the audience. Let me give you 
one example that will happen in the next couple of months that gives you a rough idea of where I am coming from. 

I am 100% for calling wrestling a “performance art” rather than a “sport”. The insistence upon calling it a sport is

really holding wrestling back in my opinion. Discuss with me.
In the next couple of months Meiko Satomura comes to Fight Club Pro. Thanks to previous appearances she is 
a huge face and has been booked against Pete Dunne and Chris Brookes in singles matches. For those of you 
unfamiliar with Fight Club Pro, it is an intergender wrestling organisation. The universal response to these matches 
are; “Oh My GOD Meiko is going to kill Pete and Chris.”. The fans have bought into Meiko’s character based
up on a pure sporting context. As the best wrestler in the world IMHO for the last twenty years, her kick and 
suplex offence based on old school straight shooters, Chigusa Nagayo, Billy Robinson and Akira Maeda. She 
is the hot favourite going into matches with men forty pounds heavier, six inches taller, and in one case a full 
time have a WWE contract. Fight Club Pro have used the sports conceit, Meiko’s reputation and the fan’s 
expectation to build the entertainment value. Would it be a fair context as a sport? No, it wouldn’t, however 
it will be entertaining and has been presented successfully in a sporting context, in an entertaining way.


The wrestling business has stratified greatly since the Monday Night Wars.  There is a concern that wrestling 
has to many genres to ever make a full cultural impact, while I agree that makes it more difficult, that isn’t 
impossible. You just need the right wrestler. While my favourite wrestlers do come from genuine sports 
backgrounds, I do understand that isn’t completely necessary to be a big star. No one watches Hulk Hogan 
for his picture perfect rolling Cross Arm Lock. Nor is The Rock, going to be wearing kick pads and going 
heads up with Hirooki Goto anytime soon. Also a theatrical conceit does not have to produce a theatrical 
context, some of the best wrestling I’ve ever seen has been in promotions like Chikara and Lucha 
Underground. Watching the 2012 King of Trios may be some of my favourite wrestling matches ever, but 
what makes is it special is watching hometown boys The Spectral Envoy beat the Young Bucks and Mike 
Bennett in an utterly thrilling match that was blessed some fantastic athletic performances.      


Some fans, commentators and wrestlers believe that wrestling cannot be taken seriously unless there are 
badass wrestlers. The old conceit of Jonny Valiant “I can’t make you believe that wrestling is real, but I can 
make you believe that I’m real.” holds true to an extent. However as Meiko has proved you can put that 
character into an entertainment context and it will still work. There is room for both. Is wrestling Art? I like to 
think of wrestling being seen through lenses, as Mike Quackenbush once said “What happens when you view 
wrestling through the lens of sports? Through the lens of Science Fiction? Through the lens of a psychodrama?”.
Wrestling is performed on a canvas for a reason, it is an art. Making us believe is an art in itself.

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